Is it sacrilege to declare that the best-looking cinéma dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of light as sharp https://jeuxvido46890.blogvivi.com/33326320/le-guide-ultime-pour-formats-multiples